|No Glittering Prizes For Creative Robots|
|Written by Sue Gee|
|Wednesday, 25 May 2016|
Can algorithms create "human-quality" short stories, sonnets and dance music sets? This was put to the test last week in a new variation on the Turing Test and the answer was a resounding "No".
The idea for the Turing Tests in Creative Arts came from Michael Casey and Dan Rockmore of the Dartmouth College Neukom Institute for Computational Science.
Alan Turing's Imitation Game, which we now refer to as a Turing Test, was based on the premise that computers will be judged as intelligent once more than half of humans conversing with an entity that might be a man or a machine identify computer-generated conversation as human.
The question the Neukom Institute set out to explore with its annual Prizes in Computational Arts is whether people can distinguish between human and algorithmic creativity. The goal is not to replace human creativity, but to assess whether current computational technology can produce outputs that cannot be distinguished from it and to inspire innovations in computational methods that generate artistic products, such as literary, musical, and visual art.
For the inaugural year three competitions were organized:
Entries had to be in the form of computer code that generates novel works in one of these three creative modes. Submissions had to be received a month in advance of the Turing Test event for which a panel of highly distinguished judges convened.
Entries to the DigiLit were expected to be:
algorithms able to produce a "human-level" short story of the kind that might be intended for a short story collection produced in a well-regarded MfA program or a piece for The New Yorker. The Prize seeks to reward algorithms that could, for example, write stories for a creative writing class in which students are asked to submit a new short story each day.
Three completed entries were received so at the judging stage the three human judges received 11 short stories, eight human generated and three computer generated. One of the judges was fooled by a submission generated by an algorithm from Toksu and Ibrahim with the seed “thesaurus”. No 1st prize was awarded but a 2nd prize of $100 went to Judy Malloy for an algorithm that creates variations on a story by randomly arranging pre-written sentences into paragraphs.
The rules for PoetiX called for “traditional” sonnets: fourteen line poems, in iambic pentameter, in either “Shakespearean” or “Petrarchan” form. There were two entries and here is a poem from the competition winner given the seed "wave":
Each judge received 10 sonnets, six human generated and four machine generated (two from each of the two machines). No modifications were made by prizes were awarded. The top prize of $3000 went to Marjan Ghazvini Nejad, Xing shi, Yejin Choi, and Kevin Knight (USC/ISI, USA) for:
extraordinary programming effort that is a marriage of multiple AI techniques.
Runners up Andrea Gagliano, Emily Paul, Kyle Booten, and Marti Hearst. (UC Berkeley, USA) received $1000 for "Pythonic Poet".
The task for AlgoRhythms was autonomous performance of a 15-minute dance music set made using algorithms and eight entries were received. For the live test, which involved more than a hundred people at a dance party, three Human DJs and three Algorithm Finalists were hidden from view while audience danced and voted to 10 minutes of music from each.
Although none of the algorithms passed the criterion of gaining more than 50% of the votes for Human, two got quite close with 39% and 38%. Two joint first prizes of $2,000 were awarded to Jaume Parera and Pritish Chandna (Music Technology Group, Upf, Barcelona, Spain) for DJ Codo Nudo and to CJ Carr and Zack Zukowski (Medford, MA, USA) for DadaBots - Jungle Bot. A 2nd prize of $1000 went to Gerard Roma (Surrey, UK) for Dub Life, which 28% of the audience voted as "Human".
If you want to hear the 10 DJ sets and evaluate for them yourself there is an online poll for the AlgoRhythms competition.
So while poets and creative writers are not going to be replaced by robots any time soon, DJs might be beginning to feel at least a little threatened.
It will be interesting to see what happens when Neukom adds visual arts into the competition line up - there should at least be rather more entries as this seems to be a more popular form of creativity for computer generation, as evidenced by the results of the inaugural RobotArt.org contest we recently reported on.
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|Last Updated ( Wednesday, 25 May 2016 )|